Eskimo Joe become more icy
July 4th 2006 03:09
It has to be said that Eskimo Joe's latest album, "Black Fingernails, Red Wine" is a rather unexpected evolution of the Fremantle indie pop band. Sure, there are some minute signs as to the path that the band is slowly taking, but the album diverts down a path that I certainly had not expected them to go. Moving on from the decent local successes of their albums, "Girl" and "A Song is a City," Eskimo Joe have chosen a musically darker side for their music as they begin their new offering.
An ambient piano riff, to the constant beat of a minor-key bassline drags listeners into the first track, Comfort You, a majorly instrumental song with the sparse use of one lyrical line, "I will come to comfort you." The track, is an excellent opening track, setting up listeners for the style in which the rest of the album will follow - piano-heavy, darker, and much harsher vocals from lead singer, Kavyen Temperly. This style is instantly seen in the second track, New York, in which Temperly's vocals aren't as distinct as usual, but rather blended in with various vocals to create a choir-esque feel. The track follows in the path of From the Sea, the hit track from their last album, "A Song is a City," and doesn't really break any new ground, apart from the aforementioned use of choir-esque vocals.
Then, however, there is the first single. Black Fingernails, Red Wine, the title track of the album, while having that piano-laden musical style, is quite distinct from the rest of the album, reaching the darkest point both musically and lyrically of the album. Unfortunately, Temperly's attempt to bring this across results in exaggerated vocals that are almost painful to listen to, and even more painful to watch in the film clips (see yesterday's post of the two videos here). While the song has its merits, it departs too much from the bands established sensibility and does not suit their musical abilities at all.
The succeeding track, Breaking Up, almost forgets about that style at all, returning instead to the musical simplicity of previous albums, while Forever Young is a toned down version of the title track. London Bombs is definitely a standout track, a slow piano ballad in which Temperly's voice gains a certain softness to it that is sorely missed throughout the majority of the album. The beauty of the song lies in its musical nakedness - flowing piano with little else from the band, and a soft background strings track to carry the song.
The next track, Sarah - which is the second single from the album - harks back to the early "Girl" days of the band, while This is Pressure once again returns to the relatively new style introduced through Black Fingernails, Red Wine and Forever Young. Musical experimentation is seen once again in Beating Like a Drum with disastrous effects - Temperly attempts Joy Division-esque monotone vocals, saved only by harmonies from Stuart Mcleod, and a nice vocal riff in the song.
Suicide Girl once again shows the softer side of Temperly's songwriting, undeniably related to the ballads of the "Girl" album, namely Liar. The song has a strong beginning, but becomes weak during the chorus with a very generic melody that is immediately forgettable. Nevertheless, the final track on the album, How Does it Feel, sees a middle ground between the new, darker style emerging from the band, and the slow ballads, to create an appropriate ending for the album - one of the choir vocals, the ultimately familiar strings base, and simple lyrical repetition.
To say that "Black Fingernails, Red Wine" does not meet up to the standards of their previous albums isn't wholly true. As a band, they've matured and become much more complex, more willing to venture into new styles and genres. In this album, however, it doesn't always work. While the emphasis on slow ballads is definitely a welcome change from the hard pop-rock riffs of their earlier work, the use of monotonal vocals and in some cases their darker material certainly detracts slightly from the album. The album has its weakpoints, but in general is a good listen.
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Comment by Grant
Comment by Jimbo
While they've been mildly popular in Australia with the last two albums, it seems that its taken them three albums to get some recognition as a band. The first two albums were definitely popular on mildly indie-focused things like good ol' Rage and Triple J, but now we've seen them finally get a #1 hit. Unfortunately, I think some of their better songs lie in their previous albums.
Comment by Grant
As for it taking 3 albums that's seems to be fairly normal unfortunately. Good, new Aussie bands just dont get enough exposure. They are making up for lost time though and good on them
Comment by Anonymous
Comment by Jimbo
Comment by nes
Comment by Anonymous
eskimo joe SUCK their lyrics dont make sense eg straight round??? what the hell is that supposed to mean
I think there all FUCKS
Comment by Jimbo
Comment by Anonymous
the lyrics say
straight down..
so why dont u do a little research
Comment by viktoira
Comment by Anonymous
Comment by eskimo blow
Sarah, won't you tell me your name- i mean duhh!
Comment by JeMu RoX
Comment by Anonymous
Comment by Anonymous